Introduction In my article “ Kime: the soul of the karate punch ” I described the essential feature of the karate punch as being “focus” – ie. a combination of minimal deceleration before impact and optimum distancing – usually performed in karate with a straight thrust . Many have, and will continue to, argue that this straight thrust is less powerful than a boxer’s follow-through punches. This is true. But to understand why this does not necessarily mean that the former is less effective we’ll have to examine punching methods – what someone I know calls “delivery systems” – in greater detail. To the extent that karate punching is “less powerful”, I will then go on to examine why this is a tactical choice rather than a necessary failing. Categorising punches In a very general sense karate punches can be divided into 2 kinds: straight line and curved. In boxing, punches can be divided into 2 different categories that overlap with the karate ones, namely: 1. jabs (ie. punches which
Back in about 2009 I was talking to a friend of mine who does krav maga, telling him I was off to Taiwan to train in combat taijiquan (tai chi). He laughed. "Combat tai chi? Isn't that an oxymoron?" I can see why he thought that. Because when you look at the soft, slow art of taijiquan, adding the descriptor "combat" does seem to be a contradiction in terms. In fact, the idea of it being used for fighting can appear ludicrously funny . And to be frank, in the case of most taiji practitioners - including many who profess "fighting skill" on the interwebs - it almost certainly is. [In the case of the preceding link, note the string attacks against zombie opponents - more on that later!] By now, I doubt there is anyone in the martial arts who hasn't heard of the debacle that constituted the recent fight between MMA fighter Xu Xiadong and self-described Yang style taijiquan "master" Wei Lei. Xu beat Wei senseless in under 10
Introduction There is a tendency in the Chinese, and increasingly in the Japanese, martial arts to venerate “standing post” training - what is known as zhan zhuang (站樁 - literally “standing like a post”). In particular the internal arts of China are known for this practise. Even more particularly, the art of yiquan (意拳 - literally “concept fist”) focuses almost entirely on this as a martial training method. Yiquan, which is also called “da cheng quan” (大成拳 - literally “great achievement boxing”), was developed by xingyiquan master Wang Xiangzhai (26 November 1885 - 12 July 1963). One of his students was the Taiwan-based martial artist Wang Shujin (a master of xingyiquan, baguazhang and taijiquan who happens to have also been one of my grandmaster Chen Pan Ling's main students). In Japan the yiquan tradition was continued by Kenichi Sawai, founder of the school of taikiken (体気拳 - literally “mind and spirit fist”). So what is the point of “standing post training”? Can
Comments
Post a Comment